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Hair Coloring Home
Foreword
01. Hair sturcture
02. Haircoloring Products
03. Tinting
04. Color bath
05. Miss Clairol
06. Clairol salon
07. Red fashion
08. Bleaching
09. Pre-bleaching
10. Blonde toners
11. Frosting & tipping
12. Rinses
13. Permanent waving
14. Shampooing
15. Reconditioning
16. Removing tint
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Chapter 4 - Miss Clairol Hair Color Bath

Miss Clairol Hair Color Bath is the amazing product that lightens, colors, conditions and shampoos at the same time. It has made haircolor-ing so easy that any beautician can become a skilled colorist. In one simple operation Miss Clairol Hair Color Bath both tints and bleaches the hair so that the lighter, brighter tones may be obtained without pre-bleaching.
Miss Clairol has reduced tinting time, once one to two hours, to as little as five to forty-five minutes. It has made haircoloring less expensive and more easily available to the average customer. The haircolorist has been able to double and sometimes triple the daily output of work.
Miss Clairol does not require pre-bleaching or pre-softening. It covers gray hair completely while lightening, matching or darkening the natural color. Even pre-shampooing is eliminated with Miss Clairol. A complete coloring treatment can often be given in less than 30 minutes. Hair is left beautifully colored and frequently in better condition than it was originally.
Miss Clairol Regular And Creme FormulaMiss Clairol Hair Color Bath comes in two types — Regular and Creme Formula. Both are exactly alike, except that Creme Formula becomes a creme when it is mixed with developer and stirred. Regular Miss Clairol Hair Color Bath remains a liquid. Both types give the same result and are applied in the same way. Use whichever you prefer. Creme Formula has the advantage of not dripping down the strand or on the face. It is easy to work with because it does not dry out, run or drip.
How to apply miss clairol hair color bath Preliminary
- Select the color or colors to be used. (For a complete discussion of Miss Clairol colors see page 25.)
- Give preliminary patch test 24 hours before tinting.
- Make a preliminary strand test to preview the results.
- Examine the scalp to see that there are no cuts or abrasions. Do not apply Miss Clairol or any other hair preparation while any exist.
Mix 1 bottle (2 oz.) Miss Clairol with equal parts (2 oz.) of Clairoxide or Pure White Creme Developer in plastic applicator or glass or plastic dish. Never use a metal dish.
Application To Virgin Hair- Always apply Miss Clairol to dry hair. Do not shampoo before application. Apply the Miss Clairol mixture directly to the hair, using either the applicator, a swab, or a brush. Make sure every strand is thoroughly saturated. If ends are porous or damaged, apply the mixture to three-quarters of the strand and apply to ends just before shampooing.
- Allow the mixture to develop for 5 minutes. Then dry a strand of hair to test for color development.
- Test frequently until desired shade has been reached. To cover gray completely, at least 15 minutes developing time is necessary. The maximum development time for Miss Clairol is 45 minutes. Be sure to reapply Miss Clairol to the tested strand.
- Rinse Miss Clairol thoroughly from the hair with lukewarm water when the desired shade is obtained.
- Wash hair with Clairol Shampoo for Tinted Hair.
Miss Clairol Hair Color Bath Application To Virgin Hair
- Apply mixture to entire head, saturating each strand thoroughly. Allow color to develop.
- Make frequent strand tests.
- After desired shade has been reached, rinse thoroughly from hair and shampoo.
Retouch Application
- Part the hair in four equal sections. Do not shampoo.
- Outline the sections to be tinted by applying the mixture to the partline. Start at the crown, making Y± inch partings with the animator nozzle. If you are lightening the basic color of hair, start the application where hair is darkest, usually at the back. When covering gray hair, start the application where hair is grayest, usually at the front.
- Apply Miss Clairol liberally to the new growth only.
- Check back to make sure you have not missed any spots when you have finished your application. Reapply mixture to dry spots to keep retouch area moist. Avoid dripping on adjacent skin. Wipe away any dripping with water or soapy, absorbent cotton.
- Test frequently for color by drying strand of hair and checking color until desired shade is reached. Be sure to reapply to dried strand after each test.
- If you are using Miss Clairol Creme Formula, when the desired shade is reached, comb Miss Clairol mixture through hair, omit ting ends. This step is not necessary with Miss Clairol Regular.
- Dilute remaining Miss Clairol mixture with an equal amount of bland shampoo. When using brown shades on porous ends, dilute the remaining mixture with twice as much shampoo.
- Pour mixture through the hair and work it gently into a soap cap.
- Test immediately for color. If the color is even, rinse thoroughly. If ends need additional color, allow the mixture to develop a few minutes longer and test again.
- Rinse thoroughly and shampoo after the desired shade is reached.

- Part hair in 4 equal sections. Apply tint at partline, using applicator nozzle to make ¼ inch partings. Apply to new growth only. Test frequently for color on root portion.
- Dilute remaining Miss Clairol with an equal amount of shampoo and apply to hair. Work into soap cap.
- If you are using Miss Clairol Creme Formula, when desired shade has been reached, comb Miss Clairol mixture through hair.
- Make frequent strand tests. When the color has developed to the desired shade, rinse and shampoo.
Color Selection With Miss Clairol
Proper color selection is most important in obtaining good results with Miss Clairol, as it is in all tint work.
When selecting a Miss Clairol color, take into account the fact that Miss Clairol lightens as well as colors. For this reason, you must consider both the bleaching value and the coloring value of each color.
Key to miss clairol color selection:
- To match the natural shade of hair and to cover gray hair, if any exists, select the color closest to the natural shade.
- To lighten or brighten the hair and cover gray hair, select a color lighter than the natural shade, but one containing enough color to produce the desired shade on gray hair. It is also important to select the color having sufficient bleaching value.
- To darken the hair and cover gray, select a color darker than the natural shade, with enough color to give the depth desired.
The shade produced on gray hair will be only as deep as the color used. Miss Clairol colors reach their depth and then stop. If hair has not been previously damaged, the color will not go darker if it is left on longer, as in the case of many shampoo tints. If, in the finished results, hair appears too light, color selection was incorrect and a deeper color must be used.
Miss Clairol Colors And What They Do
There are 14 Miss Clairol colors. Familiarize yourself thoroughly with them and their effects on different, natural hair shades. These colors are your color alphabet. Learn your color ABC's and you will have a know-how in color selection which will put you in the top echelon of colorists. You will become an authority on color wherever you work.
Look at your Miss Clairol Color Selector Chart. The colors are arranged by groups—the blonde colors, the red colors and the brown colors. Within each group, the colors range from light to dark.
Each name has a description as well as a trade name and number to make ordering easy. There is a tone classification which indicates whether there is any red or gold in the color or if it is drab. Everything possible has been done to make your color selection accurate.
Miss Clairol ColorsBlonde Colors
Tone No. Name Description
Drab l 40 Topaz Golden Champagne Blonde
Gold l 41 Apricot Honey Blonde
Drab 2 42 Moongold Medium Ash Blonde
Gold 2 43 Sun Bronze Reddish Blonde
Red-1 33 Flame Bright Red
Red-2 44 Coppertone A real copper
Red-3 45 Sparkling Sherry Light auburn
Red-4 47 Red Ginger Reddish brown
Drab-3 46 Chestnut Brown Light Brown
Drab-4 57 Coffee Brown Rich medium brown
Drab-5 48 Sable Brown Dark Brown
Drab-6 51 Black Velvet Gleaming black
Miss Clairol On White Hair
The best way to observe the results of these colors is to see their effect on pure white hair. When they are applied to hair which is not completely white there is a variation in color due to the natural pigmentation.
Let us consider the effects of each color on pure white hair:
The Blonde Colors TopazThe lightest of the drab series, a champagne blonde. Produces a light, delicate blonde with no red or gold tones.
Golden Apkicot
This is a golden blonde, several shades deeper than Topaz.
Sun BronzeSun Bronze is deeper than Golden Apricot. It contains more gold and some red. It produces a light to medium rich, reddish golden blonde, depending on development time and receptivity of hair.
MoongoldAn ash blonde color in the drab series like Topaz but at least four shades darker. It is just a little darker than Sun Bronze. It ranges from medium to dark ash blonde depending on development time and receptivity of the hair.
The Red Colors FlameThe lightest in the red group. It produces a very vivid color and may not look completely natural. This is only for the white haired woman who wants an intense, dramatic red.
CoppertoneA copper red which might be called light auburn. This color is several shades deeper than Flame. However, it is more natural looking than Flame on white hair.
Sparkling SherryAn auburn color with light to medium depth. It is several shades deeper than Coppertone. It is a true auburn. Red Ginger
Red Ginger is a reddish brown color. It is several shades deeper than Sparkling Sherry with more brown in it. A light, reddish brown.
The Brown Colors Chestnut BrownA light brown with no red or gold. On pure white hair, it produces a light, drab brown. This color is similar to Moongold, but at least three shades darker.
Coffee BrownA rich, medium brown with no red or golds. It is several shades deeper than Chestnut.
Sable BrownProduces a dark brown with no red or gold tones. It is several shades deeper than Coffee Brown. It is several shades lighter than black.
And BlackBlack Velvet
A true black with no red, gold or purple. MISS CLAIROL ON DARK HAIR
Miss Clairol colors on dark hair, of course, will have a different effect than they do on pure white hair. It is on dark hair that you must consider the bleaching action of Miss Clairol. The darker the hair, the greater the bleaching action. The closer the natural shade to the Miss Clairol color, the less Miss Clairol will lighten. As Miss Clairol colors deepen, the lightening action lessens.
To explain the bleaching action of Miss Clairol, let us consider the results of each color on dark brown hair. On dark hair maximum bleaching action is obtained.
Blonde Shades
Topaz
Topaz has the greatest amount of bleaching action. It will lighten up to a maximum of 7 shades in 30 to 45 minutes. The final shade depends on how dark the hair was originally. Topaz contains drab coloring so that while it bleaches, it reduces the red and gold tones that result from bleaching.
Golden ApricotBleaches up to 5 shades. As the colors deepen in the scale, their lightening action lessens. This color adds golden highlights as it bleaches.
Sun BronzeBleaches about 4 shades. While it bleaches, Sun Bronze adds reddish gold tones.
MoongoldBleaches about 3½ shades. While bleaching, like Topaz, it reduces the reds and golds, but to a greater degree because it contains more drab coloring.
Red ShadesFlameBleaches hair up to 6 shades, producing a light, bright red.
CoppertoneBleaches about 4½ shades, producing a light, coppery auburn.
Sparkling SherryBleaches about 3½ shades, producing a medium auburn. 28
Red GingerBleaches about 3 shades, and adds reddish brown tones.
Brown Shades Chestnut BrownLightens 2½ to 3 shades on dark brown or black hair. At the same time it produces lustrous, brown tones.
Coffee BrownBleaches only dark brown or black hair. It will lighten them several shades, at the same time producing a rich, medium brown.
Sable BrownBleaches only black hair. Bleaches black hair one or two shades, producing a lustrous, dark brown.
BlackBlack Velvet
No bleaching action whatsoever.
Miss Clairol On Hair Mixed With GrayHair mixed with gray is another variation to consider when making color selection. Because of difference in pigmentation and the varying amounts of gray in the hair, seldom will the same shade look alike on two different heads of hair. Some women have a great deal of red pigmentation and no matter what color you use on them you will find some red highlights coming through, while women with little red in their hair will always finish with a drabber version.
The amount of gray in the hair is another influencing factor. Here is an example:
Two women with the same shade of natural, medium brown hair, one with no gray, the other with 50% gray—both having the same amount of red pigmentation—are tinted with Moongold. The woman with no gray will finish with a shade with some red highlights. The woman with 50 % gray hair will finish with less red in her hair than the woman who had no gray at all. The pure white hair becomes a true ash, the shade Moongold produces on white hair.
The final shade any color creates is influenced by the amount of natural red pigment in the hair and by the amount of gray. The more white in the hair, the less gold and red in the final shade.Because of the natural red pigmentation, the drab colors will often not finish drab. However, this problem can be helped with two Miss Clairol colors not previously discussed. They are Ermine and Starlight.
Ermine StarlightTwo of the colors on the Color Selector Chart are Ermine and Starlight. They are special blenders designed to be mixed with other Miss Clairol colors.
To increase the drabbing effects of any Miss Clairol Color, mix one-third bottle of Ermine or Starlight with two-thirds bottle of the color to be used. Then add the Clairoxide or Pure White Creme Developer.
Starlight is twice as concentrated as Ermine. It may be used on hair with a great deal of red pigment where more drabbing is required.
If either of these drabbing colors is used in conjunction with one of the other colors, a proportionate quantity should be added to the test solution in the preliminary Patch and Strand Tests.
NoteNever use Ermine or Starlight alone on gray, white, or "pepper and salt" hair as a rinse. They will lighten whatever dark pigment still exists and cause discoloration.
Silver DropsMiss Clairol colors may also be made drabber by the addition of a Clairol product called Silver Drops. Silver Drops, a specially prepared, highly concentrated color, reduces and drabs red or gold tones. Add from 3 to 15 drops to Miss Clairol. The deep colors require 15 drops for adequate drabbing, the lighter colors require less. To ascertain the correct number of Silver Drops, take a strand test, using Silver Drops in the tint mixture. The patch or skin test is required before use of Silver Drops.
Miss Clairol Color Selector ChartMiss Clairol Color Selector Chart contains a digest of all the information on coloring you have just acquired. You will find the chart a quick and useful guide.
The colors are arranged by the tone values and by depth, beginning with the lightest color. This arrangement will help you in lightening or intensifying colors because changes in intensity may be made by adding the next lighter or darker color in the same series. You may also make changes in tone value. Some examples follow:To deepen or lighten colors without changing their tone value:
- If Topaz on pure white hair is a little too light, it can be deepened by adding a small amount of the color next in depth to it in the same tone. To 1¾ oz. Topaz add ¼ oz- Moongold and 2 oz. developer. Since both tint colors are drab, adding Moongold does not change the tone value. It merely produces a deeper shade.
- If Moongold has been used and the results are a little too deep, reverse the procedure and add Topaz. Mix 1¾ oz. Moongold with ¼ oz. Topaz and 2 oz. developer.
To deepen or lighten colors and change tone values:
If Topaz, for example, used on pure white hair is a little too light and a little too drab, it should be mixed with Golden Apricot, the next color in the gold tones. This will deepen the color and add a little gold. Mix 1¾ oz. Topaz with ¼ oz. Golden Apricot and 2 oz. developer.
Miss Clairol Color Selector Chart — see page 34
Miss Clairol Confidential FormulasThe ability to mix colors skillfully is one of the most important keys to a successful haircoloring business. Miss Clairol colors may be blended to create an unlimited number of personalized shades.
Combinations to give a wide range of color selections are provided in the Confidential Formulas. Proper usage of these combinations assures each patron an individualized service. The colors you mix for her cannot be reproduced at another salon unless she has the exact formula you have blended for her.
Color mixing is especially important when matching the patron's natural shade since, frequently, it is a blend of colors rather than just one color.
Use these Confidential Formulas to do more subtle haircoloring and to add exciting possibilities to the colors you offer your customers.
Miss Clairol Confidential Formulas —see page 36
Light ColorsIf you desire the lighter, more glamorous shades, the Miss Clairol colors that lend themselves best to this are: Topaz, Golden Apricot, Sun Bronze, Flame, and Coppertone. Although these colors have their own bleaching action, bleaching can be increased from one to a number of shades by adding Lady Clairol.
As little as two capfuls of Lady Clairol may be added for a slight increase in bleaching action. For a greater increase in bleaching action, the following formulas can be used:
1. 1¾ oz. Miss Clairol¼ oz. Lady Clairol
2¼ oz. Clairoxide or Pure White Creme Developer
2. 1½ oz. Miss Clairol½oz. Lady Clairol
2½ oz. Clairoxide or Pure White Creme Developer
3. 1 oz. Miss Clairol1 oz. Lady Clairol
3 oz. Clairoxide or Pure White Creme Developer
A sample formula might be 1 oz. Flame, 1 oz. Lady Clairol, 3 oz. Clairoxide. This will produce a lighter, brighter, shade than Flame mixed with equal parts of Clairoxide. These formulas may be used as a guide. Further variations will enable you to increase the subtle color variations you can create.
When you use only one or two capfuls of Lady Clairol, use the standard amount of Clairoxide (that is, 1 part Clairoxide to 1 part Miss Clairol), but increase the Clairoxide when you use ½ oz. Lady Clairol or more.
The proportion is 1 part Clairoxide for each part of Miss Clairol, plus 2 parts Clairoxide for each part Lady Clairol.
Sometimes when using Topaz you will find that the Lady Clairol, while it increases the bleaching action, decreases the color value so that the toning effect is not as great. If this occurs the tone can be made drabber by adding Miss Clairol Ermine or Starlight or Silver Drops.
Dark Colors
Occasionally, even with the deeper colors, a slight increase in bleaching action may be desired. With Miss Clairol colors such as Chestnut Brown, Red Ginger and Coffee add one or two capfuls of Lady Clairol.
Gray Hair CoverageWhen mixing Lady Clairol with Miss Clairol, remember—while you increase the bleaching action, you decrease the coloring action. This means that women with gray hair may get less coverage than they ordinarily would with the regular Miss Clairol mixture.
Therefore, as the amount of gray in the hair increases, decrease the amount of Lady Clairol you use.
With all these mixtures the application procedure is the same as for Miss Clairol No pre-shampoo is needed.
Do's- Always mix Miss Clairol in plastic dish or applicator.
- Use Clairoxide, or Pure White Creme Developer. Both are stable 20 volume peroxide. If you do not, be sure to use fresh 20-volume peroxide.
- Apply thickly and generously, concentrating Miss Clairol where hair is most gray.
- Use only glass, porcelain, or plastic utensils.
- Use Miss Clairol Applicator for neatest, fastest, and best results.
- Always wear rubber gloves during entire treatment.
- Apply as quickly as possible to obtain even development.
- Dilute Miss Clairol with Clairol Shampoo for Tinted Hair when applying to porous ends.
- Always rinse hair and scalp thoroughly, especially around the hairline, to remove all residual material.
- Don't shampoo before using Miss Clairol. Apply Miss Clairol to dry hair.
- Don't apply to ends on a retouch unless you dilute with Clairol Shampoo for Tinted Hair.
- Don't rub or massage the scalp when applying Miss Clairol. Remember it is a haircoloring, and not a scalp treatment.
- Don't apply Miss Clairol to ends until the color on the new growth is fully developed.
- Don't pre-bleach unless a drastic color change is desired or unless hair needs corrective treatment.
- Don't use Miss Clairol over metallic dyes, compound hennas, or so-called color restorers. Discoloration or breakage may result.
- Don't use Miss Clairol for coloring eyelashes or eyebrows.
- Don't allow Miss Clairol to contact area in or around the eyes.
- Don't save any Miss Clairol once it has been mixed with a developer. Use the amount you need, and discard the remaining mixture.
Miss Clairol Color Selector
If The Natural Hair Shade Is

14 Fashion Rigrlit Colors
If The Natural Hair Shade Is

Results obtained also apply to tinted hair, except when a lighter shade is desired. Then tinted portion of hair must be lightened before Miss Clairol is used.
To shampoo safely, always use Clairol Shampoo for Tinted Hair. It conditions as it cleans keeps haircolor alive.
Tonal Value Of Colors: The column "Tone" classifies Miss Clairol colors by depth of color and highlights created by each. Drab colors have no red or gold highlights. Gold colors have only gold highlights. Red colors have only red highlights. Tone numbers indicate the intensity of the color—the higher the number, the darker the color.
Lightening Action Of Colors: The last column on the Chart titled "Maximum Lightening Action" indicates the maximum degree that each color can lighten when applied to dark hair. When the Miss Clairol color chosen is near the natural shade, the amount of lightening action is automatically less.
Miss Clairol Confidential Formulas Drab Shades
No. Mixing formula results
1 1 oz. Topaz Light Topaz (Increases the 2oz. Clairoxide* bleaching action of Topaz)
2 2 oz. Topaz Deep Topaz (Slightly deeper 3 capfuls of Moongold than Topaz)
2oz. Clairoxide
3 1 oz. Topaz Extra Deep Topaz
½ oz. Moongold
2oz. Clairoxide
4 1 oz. Topaz Light Ash Blonde (Lighter ½ oz. Moongold than Moongold)
½0z. Clairoxide
5 1 oz. Topaz Ash Blonde (Lighter than
1 oz. Moongold Moongold)
2 oz. Clairoxide
6 1 oz. Moongold Light to Medium Ash Blonde
2 oz. Clairoxide (Lighter than Moongold and
with a little gold tone)
7 1½ oz. Moongold Medium Ash Blonde
½ oz. Starlight (Slightly drabber than
2 oz. Clairoxide Moongold)
8 1 oz. Topaz Dark Ash Blonde (Very light
1 oz. Chestnut Brown brown)
2 oz. Clairoxide
9 1 oz. Chestnut Brown Extra Light Ash Brown
2 oz. Clairoxide
*OR Pure White Creme Developer
½ oz. Chestnut Brown deeper than Moongold)
1½ oz.. Clairoxide
11 1 oz. Moongold Very Light Brown (Lighter
1 oz. Chestnut Brown than Chestnut Brown)
2oz. Clairoxide
12 1 oz. Coffee Brown Light Brown
1 oz. Moongold
2 oz. Clairoxide
13 1½ oz. Chestnut Brown Light Brown (Drabber than
½ oz. Starlight Chestnut Brown)
2 oz. Clairoxide
14 1½ oz. Chestnut Brown Neutral Brown
½ oz. Coffee Brown
2oz. Clairoxide
15 1 oz. Sable Brown Deep Neutral Brown
1 oz. Moongold
2 oz. Clairoxide
16 1 oz. Chestnut Brown Light Medium Brown
½ oz Sable Brown IV2
1½ oz. Clairoxide
17 1 oz. Sable Brown Medium Brown (Slightly
1 oz. Chestnut Brown lighter than Coffee Brown)
2oz. Clairoxide
18 1½ oz. Coffee Brown Medium Brown (Drabber
½ oz Starlight than Coffee Brown)
2 oz. Clairoxide
19 1½ oz. Sable Brown Dark Brown (Drabber than
½ oz. Starlight Sable Brown)
2oz. Clairoxide
No. Mixing formula results
1 1 oz. Topaz Light Golden Blonde
1 oz. Golden Apricot
2 1 oz. Golden Apricot Golden Blonde (Lighter than
2 oz. Clairoxide Golden Apricot)
3 2 oz. Topaz Light Gold Titian Blonde
2-3capfuls Flame
2oz. Clairoxide
4 1½ oz.Golden Apricot Golden Blonde (Slightly less
½ oz. Ermine golden than Golden Apricot)
2oz. Clairoxide
5 1 oz. Topaz Light Reddish Blonde
1 oz. Sun Bronze (Lighter than Sun Bronze)
2 oz. Clairoxide
6 1 oz. Topaz Light Titian Blonde
½ oz. Coppertone
1½ oz. Clairoxide
7 1 oz. Sun Bronze Dark Golden Blonde (Little
1 oz. Golden Apricot deeper and redder than
2oz. Clairoxide Golden Apricot)
8 1 oz. Golden Apricot Extra Dark Golden Blonde
1 oz. Moongold (Deeper than Golden
2oz. Clairoxide Apricot)
9 1 oz. Golden Apricot Light Golden Auburn
½ oz. Coppertone
1½ oz. Clairoxide
10 1 oz. Moongold Extra Light Titian Brown
1 oz. Sun Bronze
2 oz. Clairoxide
No. Mixing formula results
1 1 oz. Topaz Medium Titian Blonde
1 oz. Flame
2 oz. Clairoxide
2 1 oz. Flame Bright Titian Red (Lighter
3 1 oz. Sun Bronze Titian Blonde
2oz. Clairoxide
4 1 oz. Golden Apricot Golden Titian
1 oz. Flame
2 oz. Clairoxide
5 1 oz. Sun Bronze Deep Titian Red
1 oz. Flame
2oz. Clairoxide
6 1 oz. Golden Apricot Light Golden Auburn
¼ oz. Sun Bronze
¼ oz. Flame
1½ oz. Clairoxide
7 1 oz. Golden Apricot Golden Auburn
1 oz. Coppertone (Lighter than
2 oz. Clairoxide Coppertone,redder than Sun
Bronze)
8 1 oz.Golden Apricot Deep Golden Auburn
1 oz. Sparkling Sherry
2oz. Clairoxide
9 1 oz. Flame Bright Auburn
1 oz. Coppertone
2oz. Clairoxide
10 1 oz. Coppertone Light Auburn (Lighter than
2 oz. Clairoxide Coppertone)
11 ½ oz. Golden Apricot Medium Golden Auburn
1 oz. Coppertone
1½ oz. Clairoxide
12 1 oz. Flame Red Auburn
1 oz. Sparkling Sherry
2oz. Clairoxide
13 1 oz. Coppertone Coppery Auburn
1 oz. Sparkling Sherry
2 oz. Clairoxide
14 1 oz. Sun Bronze Very Dark Reddish Blonde
1oz. Red Ginger
1½ oz. Clairoxide
15 1 oz. Sun Bronze Light Reddish Brown
1 oz. Red Ginger
2 oz. Clairoxide
16 1 oz. Coppertone Light Red Brown (Lighter
1 oz. Red Ginger and redder than Red Ginger)
2oz. Clairoxide
17 1 oz. Sparkling Sherry Red Brown (Slightly lighter
1 oz. Red Ginger and redder than Red Ginger)
2oz. Clairoxide
18 1½ oz. Coffee Brown Medium Red Brown
½ oz. Sparkling Sherry
2 oz. Clairoxide
19 1½ oz. Sable Brown Deep Red Brown
½ oz. Sparkling Sherry
2oz. Clairoxide
When mixing colors, you can save the unused portions for later use if no developer has been added to them. To do so, combine colors in one bottle. Be sure to mark the combination on the bottle.
